Packaged in a digipak with an attractive fold out poster with detailed liner notes on these recordings and rare photos of the young Reginald Dwight! Two Rooms: Celebrating The Songs Of Elton John & Bernie Taupin is a largely disappointing tribute album, one of those situations where a carefully selected group of an artist’s peers leans too far in the direction of safe choices filtered through rock-as-Adult Contemporary malaise. 1988’s No Place For Disgrace, their first without Newsted, is generally regarded as the best of these, and it’s the kind of record that can be appreciated both for its technical qualities (i.e. Elton John originally released Daniel written by Elton John and Bernie Taupin and Elton John released it on the album Don't Shoot Me I'm Only the Piano Player in 1973. It’s weirdly faithful in a lot of ways — Eric A.K.’s vocals prove that even an underground thrash metal band can beat the Sunset Strip brigade at their own game — even if some of the lyrical changes jump out in an awkward way (“It’s seven o’clock and I wanna mosh”), you’d best believe they pull off the whole “I’m a juvenile product of the working class/ Whose best friend floats in the bottom of a glass” vibe. Revamp was released via Island Records and Restoration by Universal Music Group Nashville. The most important stories and least important memes, every Friday. The Number Ones: Richard Marx’s “Hold On To The Nights”, The Number Ones: Steve Winwood’s “Roll With It”, Shut Up, Dude: This Week’s Best And Worst Comments, Sinéad O’Connor Reveals How Prince Terrorized Her In New Memoir. (adsbygoogle = window.adsbygoogle || []).push({}); ‘The Best Ever’ series counts down our favorite covers of great artists. In his performance, it was already close enough to a gospel song; Aretha just confirmed it in the most spectacular way, adding a parenthetical to the title that became boldface in the music. John has sold more than 200 million albums worldwide. Discover all Elton John's music connections, watch videos, listen to music, discuss and download. Elton John Watch 13-Year-Old Angelina Jordan Stun With Queen Cover on 'America's Got Talent: The Champions' Watch Jordan's take on the Elton John classic below. There’s Uilleann pipes, it’s wild. Consider this the third of a trifecta of R&B greats covering tracks from Elton John’s 1970 — though, of course, this song is a take on the John/Taupin team as genuine hitmakers, recognized as such by a braintrust in Kenneth Gamble and Leon Huff that were en route to joining them. If you’re an aspiring artist and you had one of your lowest-charting early singles given this kind of treatment, who knows how thrilled you’d be. My Baby Loves Lovin’ 10. The 73-year-old musician and the 30-year-old star of hit Channel 4 drama It's A Sin have teamed up to release a charity cover of the Pet Shop Boys song of the same name, which they debuted at the 2021 Brits ceremony. A hit you heard redone on Glee or American Idol? Fwoosh is what it is. And wildly divergent reinterpretations, at that — given that The Brave And The Bold features versions of Milton Nascimento’s MPB dopamine shot “Cravo é Canela,” Bruce Springsteen’s slow-burn American epic “Thunder Road,” and The Minutemen’s herky-jerk post-punk anxiety attack “It’s Expected I’m Gone” all off the bat, how can you expect it all to cohere into something unified? Cover Oficial na America Latina. Elton John - Samples, Covers and Remixes on WhoSampled. As the sustained critical enthusiasm for Kacey Musgraves hits new levels off her new album Golden Hour, an album that envisions country as a far more universal pop genre than the bro-pandering good-time emptiness of its most chunkheaded practitioners, it’s a hell of a thing to hear her take on Goodbye Yellow Brick Road’s “Roy Rogers.” One of the best songs to be overshadowed by the 1973 double LP’s massive hit parade, the ode to nostalgia-clinging saudade in the face of disappointing adulthood doesn’t have far to go to become a dust-swept country ballad and an even shorter distance to go for it to feel like one of Musgraves’ own studies in feeling detached from all the good times and blunty yet cuttingly wondering where to find a smaller solace in her own corner. Not surprisingly, the most convincing covers are the ones that hew closest to the bold pop style that John would go on to perfect, namely a chiming take on Cat Stevens' "Lady D'Arbanville" and an energetic, spot-on rendition of the Paul McCartney-penned Badfinger hit "Come and Get It." The first big film to to emerge in the post-Bohemian Rhapsody biopic boom is Rocketman. Again, somewhat worse; it’s done fine, but does not seem to be the smash Bohemian Rhapsody was. Jun 11, 2015 - Explore Thomas Woodman-Povey's board "Elton John Album Covers" on Pinterest. Regardless, the CD came to me in … (In his singles catalog, he and PIR followed up “Me And Mrs. Jones,” his #1 velvet-smooth infidelity ballad, with the defiant clavinet-laced symphonic funk of “Am I Black Enough for You?“) And if Paul’s voice is singularly unusual — maybe the only artist ever whose voice could be equally described as both froglike and seductive — it’s also remarkably transformative, changing the tone of Elton’s first and maybe most lasting performance from a wistful sigh of appreciation to a bask in complete joy. It’s not the most radical transformation shifting things from euphoric disco to simmering minor-key funk, but those strangely plaintive strings on the chorus really give Lovato something to play off. The songs reflect Armstrong’s broad musical taste so that a cover of Elton John isn’t even close to an outlier. But as a producer, he’s taken the sophisticated-soul/art-pop tendencies he first flaunted alongside Dilla on the (initially contentious) Amplified back in ’99, and found a way to turn the original’s uptempo tribute to ’60s Marvin Gaye/Tammi Terrell and dial the time machine forward just enough to bring things up to the Leon Ware era. As an independent website, we rely on our measly advertising income to keep the lights on. Her performance defies simple description — if you don’t know by now just what it means to hear both Aretha Franklin’s voice and her piano at peak emotion, there’s a big hole somewhere in your life — so let’s take a little breathing room and give Chuck Rainey and Cornell Dupree their due for a heartbeat-realigning bassline and a resonant minimalist Harrisonian guitar solo, respectively, and thank the Lord for the Sweet Inspirations singing backup while we’re at it. He never left (after all, it’s hard to look away from clothes that sparkly). The farewell tour he launched last year will take him through 2020, and 2018 also saw two tribute albums featuring megawatt performers: from Lady Gaga to Ed Sheeran on the pop one, Miranda Lambert to Willie Nelson on the country one. Classic recordings of Elton John on the cusp of his early fame covering a superb collection of hits such as Signed, Sealed, Delivered, Spirit In The Sky, Come And Get It and more! Thank you! ), the album’s country-centric twin Restoration makes a bit more cohesive sense; John and Taupin wrote standards that feel divorced from genre as well as time, and it doesn’t take a lot of embellishment (or reduction) to pick up on their fascination with Americana and translate that into country. 45 years after her first single for Atlantic (“My Man – He’s a Lovin’ Man” b/w “Shut Your Mouth”) and 25 after her first officially released full-length album (1982’s Motown one-off Tell Me A Lie), Bettye LaVette had found herself in a career resurgence that earned her more acclaim and success than ever. In 1974, John collaborated with John Lennon on his cover of the Beatles' "Lucy in the Sky with Diamonds", the B-side of which was Lennon's "One Day at a Time". Still, there’s plenty of reasons besides some supposed diminishing returns to linger on the music that came from those first eight albums they put out in the ’70s. Elton’s had a decent amount of R&B crossover in his career — “Bennie And The Jets” famously hit #15 on Billboard’s R&B chart in 1974 and got him on Soul Train.
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